Meet Terry Maker

Terry Maker was born in Abilene, Texas, in 1953 and received a BA from her hometown’s McMurry University, followed by an ME from Texas Tech University and an MFA from University of Colorado in Boulder. Maker currently lives and works in Louisville, Colorado.

 

Artist Statement

Each piece in my various bodies of work emerges from humble origins, taking shape from an eccentric collection of ordinary materials that initially offer no hint of what they might become when made to live together. The final dense, tactile assemblages and free-standing sculptures present themselves with minimal clues to their complex origins. The building materials are highly considered, formally and conceptually. Yet as they come into being, my position in relation to these materials is the sometimes uncomfortable one of sustained suspense. Discovering their ultimate destiny requires curiosity-driven play—which, with such materials, is a visceral, physically demanding, and mysterious process.

Works frequently take shape from discarded (often domestic) objects as well as traditional art-making materials which I subject to all manner of chemical microclimates and mechanical pressures, to drilling and grinding and scraping and shredding. As I aggregate, cast, cut, compose, and assemble, material that had been clothed in layers of unquestioned assumptions and associations is ultimately laid bare, exposing the “guts” of the matter—often via literal cross-sections. (The idea of a conceptual miner would not be too far afield.) In so doing, I reach an ever-startling conclusion: What started as discarded junk is revealed to have formal grace, even beauty. Paradoxically, even as the history of the objects remains sedimented in the material, what emerges feels fresh, leaving the viewer free to discover the ways in which radical changes to material and presentation can reassign and revitalize meaning.

In addition to this process of deconstructive and reconstructive play, there are several other continuities that have emerged in my work. Visually, the circle is both a conceptual building block and a formalist end in itself. A circle is a sustained tension, a chord eternally straining away from its center point, and eternally drawn back from the margins to that center. The complex world of circles thus enfolds and suspends dualities, holding opposites in necessary traction. It is also an entry point, the outer rim of an inner space; whether as a sphere or a portal, it is the borderland to a world.

A survey of my work over time also reveals that I love playing with scale. A bundle of shredded objects, from pencils and crayons to pill bottles and shredded prescriptions, can become a bacterium in a petri dish and, at the same time, a cosmos. A tootsie roll pop can expand to human proportions. A slice of bread can slither across an entire room while it unfolds as a venomous snake. A drop of honey the size of a head can literally speak to the whole complex of human desire. The comedic alchemy of exaggerated scale serves to simultaneously make work that juxtaposes humor with seriousness, weightlessness with gravity, holiness with profanity, and more.

I explore the process of art making while addressing themes relating to human desire and decay, death and resurrection, and mundane and sacred and mark-making–both literal and figurative. In all my work, I intend to pull viewers into these universal tensions, to stimulate novel, transcendent responses to the existential questions behind humanity’s search for meaning. The revealed surfaces present the viewer with a visual puzzle, made even stranger by its unique visual vocabulary, that opens the possibility of new connections, new perspectives. One circle, one cut, one compressed or expanded square inch at a time, I invite viewers to engage and explore our mysterious universe, expanding ever since it was just a little dot of a thing.

Curriculum Vitae

SELECTED SOLO EXHIBITIONS / PROJECTS

2024       Distance and Desire, NM Highlands University – Ray Drew Gallery, Las Vegas NM

2023       In Which the Progeny of the Hero Shapes the Dust, Museum of Art, Fort Collins, CO

2021   Cure All, Robischon Gallery, Denver, CO

2021   ADAPT, Robischon Gallery, Denver, CO

2020  Because the World is Round, Longmont Museum, Longmont, CO

2018  Point Blank, Robischon Gallery, Denver, CO

2017  Time Release, Medical and Pharmaceutical Constructions, Fulginiti Gallery,
University of Colorado Anschutz Medical Campus

2016   Big Bang, Kirk Hopper Fine Art, Dallas, TX

2015   Holy Fool, grayDUCK Gallery, Austin, TX

2013   You are Here, Kirk Hopper Fine Art, Dallas, TX

2013   Circumference, Robischon Gallery, Denver, CO

2012   Terry Maker – Reckoning, Colorado Springs Fine Arts Center & Museum,
Colorado Springs, CO

2010   Sweet, Denver Botanic Gardens, Denver, CO

2009   Terry Maker, Postmodern, Denver, CO

2008   The Garden of Nineveh, MCA Denver, Project Gallery, Denver, CO

2008   Slice, Robischon Gallery, Denver, CO

2007   Revival, Boulder Museum of Contemporary Art, Boulder, CO

2005   Underpinnings, Robischon Gallery, Denver, CO

2004   Extractions, Cornell DeWitt Gallery, New York, NY

2003   Extraction, Robischon Gallery, Denver, CO

2001   Terry Maker: New Work, Fort Collins MCA, Fort Collins, CO

2001   New Work (Paintings), Cornell DeWitt Gallery, New York, NY

1999   New Work, Cornell DeWitt Gallery, New York, NY

1998   Body Language, commissioned installation for the Arvada Center for
the Arts and Humanities (in conjunction with an installation by Vito Acconci), Arvada, CO

1997   Nature/Nurture, Gallery Van Go, SITE Santa Fe Parking Lot, Santa Fe, NM

1991   Terry Maker, McConnell Gallery, Denver, CO

1985   Terry Maker – New Work, Gallery 234, University of Wyoming,
Laramie, WY

1983   M.F.A. Thesis Exhibition, Sibell-Wolle Gallery, University of Colorado,
Boulder, CO

 

SELECTED GROUP EXHIBITIONS

2023    45+ The Anniversary Exhibition Series,  Robsichon Gallery, Denver, CO

2023    Onward and Upward: Shark’s Ink, CU Art Museum, Boulder, CO

2022    Art of the State, Arvada Center for the Arts and Humanities, Arvada, CO

2021    Applied Matter – Robischon Gallery, Denver, CO

2020   Colorado Abstract +10 A History & A SurveyArvada Center
for the Arts and Humanities, Arvada, CO

2019   Terry Maker and Walter Robinson – Robischon Gallery, Denver, CO

2014   Blue – Ovations Presentations, Los Angeles, CA

2013   Catalyst, Denver Botanic Gardens, Denver, CO

2012   Women of Influence, Arvada Center for the Arts and Humanities,
Arvada, CO

2012   Material Abstraction, Robischon Gallery, Denver, CO

2011   Reclamation, Center for Visual Art, Denver, CO

2011   CU Department of Fine Arts Faculty Exhibit, Emmanuel Gallery,
Denver, CO

2010   Objectophilia, MCA Denver, Denver, CO

2008   Blue Ovation Series, La Canada Presbyterian Church, La Canada, CA

2006   Decades of Influence, MCA Denver, Denver, CO

2004   Neither Here Nor There, Robert Steele Gallery, New York, NY

2003   Creation, Arvada Center for the Arts and Humanities, Arvada, CO

2002   Archipelago, MCA Denver, Denver, CO

2002   Hot and Cold Running Water, Cornell DeWitt Gallery, New York, NY

2002   Scope Art Fair, Cornell DeWitt Gallery, New York, NY

2001   Collaborative Photographs, Cornell DeWitt Gallery, New York, NY

2001   Summer 2001 Art Santa Fe, Cornell Dewitt Gallery, New York, NY

2001   Just What is it That Makes Trailer Homes So Different, So Appealing?,
Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY

2001  Meat Market Art Fair, Cornell Dewitt Gallery New York, NY

2001   Art Santa Fe Art Fair, Cornell DeWitt Gallery, Santa Fe, NM

2000   Meat Market Art Fair, Cornell DeWitt Gallery, New York, NY

2000   Don’t Fence Me In: Contemporary Art of the New American West,
Cornell DeWitt Gallery, New York, NY

2000   Colorado 2000, MCA Boulder, Boulder, CO

1999   Real to Surreal, MCA Denver, Denver, CO

1999   Housed, MCA Boulder, Boulder, CO

1997   The Object of Colorado, Denver International Airport, Denver, CO

1996   Codpiece Project, Griffin Linton Contemporary Exhibitions, Venice, CA

 

 

SELECTED ARTICLES / REVIEWS

 

Spencer Fordin, “Terry Maker uses alchemy – And a few old shoes – to forge works with soul”, Santa Fe New Mexican – Pasatiempo, March 29, 2024

Kerrie Lee Brown, “Art Professor turned Artist”, Denvver Life Magazine, September 1, 2022

Deborah Ross, “Work in Progress with Terry Maker.” Southwest Contemporary, December 2021

Ray Rinaldi, “Have you ever seen a 10-foot-wide ball of 500 cowboy hats?” The Denver Post, February 2, 2020

Ray Rinaldi, “Whimsy and Wonder.” The Denver Post, February 2, 2020

Michael Paglia, “Colorado Creatives: Terry Maker.” Westword, February 7, 2018

Ray Rinaldi, “Questioning the Powers of Medicine’s Little Helpers.” The Denver Post, December 16, 2016

Wayne Alan Brenner, “Terry Maker’s Holy Fool is a Divine Manifestation of Art.” Austin Chronicle, April 24, 2015

Steve Rabey, “Of Mind and Matter The Art of Terry Maker.” Journal of Art, Faith, Mystery 75, Jan. 2013

T.D. Mobley-Martinez, “Maker’s Mark is Creativity.” The Gazette, February 2012, p. 3

Kyle MacMillan, “Six Artists Look at Trash & See Art.” The Denver Post, August 2011, p. 6E

Kyle MacMillan, The Denver Post, “Artists Featured at Biennial,” August 2010, p. 14F

Michael Paglia, “Terry Maker’s garden grows at MCA Denver.” Westword, December 4, 2008, p. 40

Mary Voelz Chandler, “The Art of Change.” Rocky Mountain News, November 2008, p. 4

Kyle MacMillan, “Three Women, Three Galleries, Three Contrasting Bodies of Work.” The Denver Post, December 2007, p.12F

Mary Voelz Chandler, “Objects of Material Attraction.” Rocky Mountain News, November 2007, p. 22

SELECTED ARTICLES / REVIEWS

Nina-Noelle Hall, “Terry Maker – Spiritual Play,” Daily Camera, December 2006, p. 6D

John Reed, “Women on Painting.” Artforum, August 1, 2003

Janet Koplos, “Terry Maker at MOCA.” Art in America, July 2002, p.102

Mary Voelz Chandler, “Artist Wields Cutting Edge.” Rocky Mountain News, September 14, 2001

Heather Felty, “Don’t Fence Me In.” Flash Art, December 2000

Jeff Bradley, “An Impressive Body of Work: Body Language Exhibition.” The Denver Post, February 7,1998, p. E1

Joe Miller, “Looking to the Future: Report from Colorado.” Art in America 86:5, May 1998, p. 56-61

Mary Voelz Chandler, “Alternative Action.” Rocky Mountain News, March 1998 p. 16D

Heath, Jennifer, “Pop Goes the Ego.” Boulder Planet, Feb. 18-24, 1998, p 28

Joe Miller, “Terry Maker, Chris Rogers at Studio 211.” New Art Examiner, Dec. 1997/Jan.1998, p. 52

Michael Paglia, “Summer Vocations.” Westword, July 31-Aug 6 1997, p. 57

Joe Miller. “Driving the message home: with art custom-built into the back of his van, the author crashes the Site Santa Fe Biennial seeking international fame and glory for just one regional star.” Art Papers 21: 6, 1997, pp. 81-82.

Jeffrey DeShell, “Terry Maker: Art Department Gallery.” New Art Examiner, Summer, 1985, p. 55